If you went to EBWW 2012 looking for answers, you weren’t disappointed. Whatever question you had, it was answered. And if you didn’t like the answer you got in the first session, you could just go to the next one and keep going until you got the answer you liked. For example:
Question #1: How do I get something published?
Session A: Build your platform. Show that you have ten million followers on Facebook and ninety-nine trillion stalkers on Twitter. Then add Pine-trees for graphics and spend the next four years of your life marketing the book.
Session B: Start writing when you are 68, print 7 copies of your first book at Staples, give 5 to your children and 2 to your two best friends. Then a publisher will call you and publish your next four books, and two playwrights will find you and turn your book into an off Broadway play all before you are 74. It helps if you live in New York.
Session C: If you have money, I will print.
Session D: Talent helps.
Question #2: Should I write for free?
Session E: Absolutely!
Session F: Absolutely not!
Session G: Absolutely not, unless you are getting something in return!
Session H: Absolutely up to you!
Question #3: How important is social media?
Session I: If you can speak Geek, totally important.
Session J: If you have live human, breathing friends, not so important.
Session K: If you have a 10-year-old living next door who will tutor for free, it can be helpful.
I hope you are making plans for EBWW 2014 where these same questions will be asked and answered in various formats and languages once again.
— Jody Worsham
At age 61, when Jody Worsham became the mother of a 1-day-old baby and a 3-year-old, she found writing humor was cheaper than therapy, legal, no hangover, and it didn’t matter if Medicare covered it or not.
No stranger to the doughnut, veterinarian David Abramowicz believes there is no better way to start one’s morning than with a smile and a doughnut. He’s just published 101 Doughnut Proverbs, a delightful collection of humorous adages related to the beloved pastry.
(On the anniversary of Erma Bombeck’s death, Sharon Short writes about the humorist’s enduring appeal in her new column, “Literary Life,” in the Dayton Daily News. Here’s an excerpt from Sharon’s April 22 debut column.)
I am delighted and honored to launch a new column today — Literary Life.
I will share the stories of book clubs, writing groups, writing workshops and published writers of fiction, nonfiction, poetry and plays in the greater Dayton area.
I’ve shared news of this column with friends and literary cohorts from Dayton to New York and beyond, and universally I’ve received two reactions: (1) That’s so exciting! and (2) Wait, is there that much going on, literary life-wise, in Dayton, Ohio?
My responses: (1) Yes, it is exciting, because the arts are lively and growing in Dayton, including the literary arts and (2) Yes. The challenge isn’t going to be finding material to cover, but how to choose among all the creative, cool, literary people, places and events each week.
Today marks the 16th anniversary of the passing of nationally beloved humor columnist and best-selling author Erma Bombeck, a household name for her witty and poignant insights into American family life during the 1960s-1980s. Yesterday wrapped up the biannual writers’ workshop held in her name.
“Erma wrote about real life, the kind of life most of us live every day, not the cartoons and fantasies that populate so much of our entertainment media,” says Matthew Dewald, workshop director.
The University of Dayton’s National Alumni Association sponsors the biannual Erma Bombeck Writers’ Workshop, the only one in the United States devoted to human interest and humor writing. Registration for the workshop, which attracts hundreds of aspiring and professional writers from around the United States and Canada, sold out the first week it was open. So, writers interested in 2014 are advised to visit humorwriters.org.
Bombeck was born in Bellbrook in 1927 and grew up in a working-class family in Dayton. She attended University of Dayton and began writing for the Kettering-Oakwood Times in 1964 and the Dayton Journal Herald in 1965. After just three weeks at the Dayton newspaper, Bombeck’s column, At Wit’s End, was picked up for syndication.
In many ways, Bombeck’s and (Manning) Marable’s literary and personal lives couldn’t have been more different. Yet, both grew up in and were, in part, shaped by their experiences in Dayton.
— Sharon Short
Sharon Short is the author of the novel “My One Square Inch of Alaska,” to be published by Penguin Plume in February 2013, and the director of the Antioch Writers’ Workshop. Click here for the complete version of this Literary Life column.
Gina Barreca launched her publishing career with They Used to Call Me Snow White…But I Drifted: Women’s Strategic Use of Humor. University Press of New England is re-releasing the book with a new intro exploring the last two decades of women’s humor. Ms. Magazine calls Gina a “feminist humor maven” and Dave Barry grudgingly concedes she’s “Very, very funny. For a woman.”
Three of Terri Spilman’s humorous essays have been published in Not Your Mother’s Book: On Being a Woman,” part of a new and edgy humor anthology series. “The workshop gave me invaluable experience and the confidence to officially label myself a “humor writer” and pursue outside publishing opportunities,” says the blogger from Carmel, Ind.
Jill Fales believes if you “can find joy between the lint and never ending stream of dirty socks, you can find joy everywhere, everyday.” She’s just published her first book, My Laundry Museum & Other Messy Gifts of Motherhood.
Bruce B. Smith, Connecticut father of three, has published a touching, inspirational and funny book on fatherhood and love, For What it’s Worth… Love, Dad: Things I always meant to tell you, if only we’d had the time.
Brad Ashton, who’s written for Grouch Marx, has condensed more than 50 years of scriptwriting and gag-writing experience into his newest book, The Job of a Laughtime: The Complete Comedy Writer. He offers nine simple lessons on creating your own comedy from gags to sitcoms.