Registration for the 2012 Bombeck Workshop is now open and will continue on a first-come, first-served basis until sold out. Past workshops have sold out quickly, sometimes in days, closing out literally hundreds of writers who missed their opportunity to attend. To register, simply follow this link:
After you register, be sure to share the news with friends via Twitter, Facebook, LinkedIn and all of those old-fashioned real-world ways!
See you in April!
Need a jumping off point? Rose Valenta says look no farther than the morning news.
Do you often suffer from writer’s block? You need a quiet place to write and some inspiration. If you happen to live in a household with teenagers and grumpy old folks with no available quiet space, not even in the basement, there is a solution. You can go to your local sporting goods store and purchase a pair of earmuffs designed to protect you from ear damage caused by rapid machine gun fire (Xbox) or transient impact noise.
You should only wear them while writing for an hour or two, so you won’t miss the kids trying to kill each other in the next room.
Now, about the inspiration: I always check the news sites. There is nothing funnier than reading about a politician trying to get himself out of a jam or someone getting detained by a TSA agent at the airport. You can brain dump about what you are reading and before you know it, you’ll have a humorous column. You can see one of mine on my blog after I read about the 2012 Obama campaign.
Ivy Eisenberg offers some advice for finding humor while on the hamster wheel:
It’s 12:02 PM. I’m in my corporate office in a pin-striped suit. I am writing jokes. They are not “for work,” though you can bet a number of them are about work. I’ve been working full-time for 28 years — just until my humor career takes off. Though I can’t afford to quit work, I refuse to stop writing.
Here are my strategies: I carry notebooks and pens in my handbag. I carry a digital recorder to capture my comedy nuggets while I’m driving. I use a little flash drive so I can carry my drafts to and from the office without leaving them on my work hard drive. I always have Post-its in case hauling out a notebook is too obtrusive during a meeting. Finally, I spend my lunch hour with all those funny voices in my head, those voices who can turn any workday disaster into a good laugh.
Ivy Eisenberg has been writing, storytelling, and performing humor for more than 20 years. Check out her blog at www.schmeightschmatchers.com.
Erma Bombeck was very comfortable in front of a television camera. (See her here on Oprah. Her segment begins at the :55 mark.)
TV doesn’t always come so naturally to writers, though. Syndicated columnist Tracy Beckerman has done her share of TV appearances and offers some tricks of the trade:
I recently met a guy and was introduced to him as a humor writer.
“Oh, cool,” he said. “Say something funny.” I didn’t really have a funny response so I just karate-chopped him instead. It worked: It made him forget he asked me to say something funny.
This is a problem a lot of humor writers encounter: the expectation that we can perform funny, whether socially, on stage, or on camera, simply because we write humor. There are some of us who can do that successfully, but for many, there is a good reason why we spend our time behind a computer screen and not on a TV screen. However, since getting the word out about what you write often necessitates public appearances, and even sometimes TV appearances, it is helpful for those of us who are a little camera shy to have some tricks up our sleeve on the off chance The Today Show calls:
1. Try to find out what the questions are in advance. Not always possible, but usually you can at least get a general topic or focus from the producer so you can prepare some funny responses in advance and not have to rely on making fun of the host’s bad plastic surgery.
2. Have a couple of funny stories in your pocket that you can pull out no matter what the question is. A good lawyer always has a response ready no matter what gets thrown at him in court. A good humorist should have a funny retort ready at all times that does not include the release of bodily gases.
3. Wear something funny. Not your whole outfit, because then you just look like a lunatic, but one thing that is comment-worthy. The interviewer will definitely mention it and then you can say something funny about it, or …
4. Bring a visual aid. Don’t overdue this (I mean, I wouldn’t bring a goat on the show with you), but something that can help you make a funny point. For instance, one time I brought a bumper sticker I made that said, “Reluctant Minivan Driver On Board.” (Trust me, it was funnier in context).
5. When all else fails and you are sure you are going to screw up, give the camera guy and the director mass quantities of chocolate before the shoot. That way they’ll make you look good no matter how badly you do on camera.
Tracy Beckerman writes the syndicated humor column and blog “Lost in Suburbia.”
Lisa Tognola’s parody ad for a “Hunk of the Month” club (made of “medical grade plastic … as close as you’ll get to the real thing”) is included in the new Valentine’s Day anthology My Funny Valentine. The compilation’s editors came to her, she said.
“Since creating my blog last summer, I’ve benefited from increased exposure online. The co-author of My Funny Valentine spotted my work and suggested I submit a Valentine’s Day themed piece for consideration in her book,” she said.
The collection was released Nov. 30.
Humorist, speaker and mad genius E. Mitchell says she’s had success standing out from the crowd by blending in with the styles of other writers:
Looking for ways to invigorate your writing career? There are a number of prestigious humor writing competitions that turn the sincerest form of flattery — imitation — into an art form for fun and profit. In addition to the Erma Bombeck Writing Competition (which commences January 3, 2012), there are many mirthful masters to choose from with rewards for your résumé, plus revenue.
My second place win in the Will Rogers Writing Competition included remuneration for registration to their writers’ conference, where I received invaluable publishing and networking information. As winner of the Thurber Treat Writing Contest, I was a featured guest at the Thurber House literary picnic. An imitation of Edward Albee won the Happy Tales Literary Contest, including a cash award. (I’m also a two-time Robert Benchley finalist). And publication was the prize for penning a winning essay in a parody competition found in the new book “Bad Austen” (Adams Media).
So exercise your writing muscle by channeling the masters, and you just might increase your chances of channeling success through publication and promotion.
Wanda Argersinger offers some advice for writers so simple we often forget it:
Have you ever lost a great idea, the perfect ending to your story, the next turn in your mystery, or the title that will scream “read me”? Most writers have.
Ideas are fleeting and difficult to coax into existence. They appear at the most inopportune time, unless you are always ready to capture the thought.
It doesn’t matter what you use to record your ideas, as long as it is always handy, used consistently and doesn’t fail when it’s needed most. For me, a notebook tucked in my purse works best. I stick a pencil inside the notebook, and use the same book, day after day. My method allows me to find all my ideas, good or bad, in one place. Whether you choose to use electronic devices, note cards, a notebook, or paper, find something, keep it handy, use it and never lose a thought or idea again.