(Reposted by permission of the author, Nancy Berk. This piece first appeared on HumorOutcasts.com on Feb. 12.)
The countdown to college admission is filled with anxiety. As a parent, I’ve been through it with both of my children and lived to tell about it. In fact, I documented the experience, humor and strategy in a book. College Bound and Gagged: How to Help Your Kid Get Into a Great College Without Losing Your Savings, Your Relationship, or Your Mind is a parent survival guide for the college-bound journey. It’s always easier to talk about college admission once the experience is behind you. Little did I know that, after the book’s publication, I’d be wrapped up in another exciting admission decision.
In early 2012, I was contacted to sign a release for my book to appear in Admission, a feature film starring Tina Fey and Paul Rudd. After confirming this wasn’t a hoax by mean-spirited strangers or family pranksters, my shock turned to excitement. College Bound and Gagged might be in a movie. True, it wasn’t like I had been offered a cameo, but in many ways it was better. Authors become attached to their work, so when people recognize our books it’s like complimenting our children. Besides, my book cover would fare much better in HD than I would.
I’ve often compared the college-bound process to childbirth. Both include plenty of labor, anxiety and know-it-alls telling you what to do. My new admission (the movie) situation wasn’t as stressful, but there have been tense moments. First, the countdown to acceptance (or, in this case, the verdict regarding book inclusion) was longer than a pregnancy. Your mind can cover a lot of positive and negative ground in 11 months.
What if the book is accepted? What if it ends up on the cutting room floor?
Maybe the book cover will have a close-up! What if the production assistant spills coffee on it right before the scene?
Maybe Tina Fey and Paul Rudd will say something funny about it. What if Tina Fey and Paul Rudd make fun of it? (I now would be happy with either of these options.)
When I’m done with the optimism/pessimism imagery, I spend my spare time compulsively checking IMDb for delivery updates. After all, it is the film industry’s sonogram.
Admission opens in theaters nationwide March 22, but thankfully, last week I was given an early admission opportunity when Focus Features included me on its preview screening list. My excitement was tempered only by the pressure of this event. I thought Admission would require more concentration than Tinker, Tailor, Soldier, Spy if I was to spot a fleeting image of College Bound and Gagged. I imagined all of the possibilities as I contemplated the higher ed version of Where’s Waldo?
What if I’m laughing so hard, I miss a glimpse of the book?
What if I snooze like I did during Lincoln?
What if I drop my popcorn and miss the big moment?
What if I need a bathroom break?
Yes, I knew enough about the film industry to realize that scenes change and stuff happens, especially in post-production where editors trim out the nonsense to make magic. And at the risk of sounding all Oscar-y, I really was happy that College Bound and Gagged made it onto someone’s radar whether it made it on the big screen or not. And of course, I took solace in the fact that you’re not out of the game until you scour the DVD outtakes.
Spoiler Alert: You’ll have to wait until March to see Admission, but my exciting news is that College Bound and Gagged got accepted!!! You can watch the trailer here, but you’ll have to wait for the release to see the book’s close-up (If only I could get that close to Paul Rudd and Tina Fey).
P.S. You’ll love the movie. Only Tina Fey and Paul Rudd (and an amazing cast and crew) could make parents want to sit through college admission all over again.
— Nancy Berk, Ph.D.
Nancy Berk is a clinical psychologist, author of College Bound and Gagged and a blogger for The Huffington Post, USA Today College, MORE magazine and TravelingMom.com. A columnist, podcast host (“Whine at 9,” “College Mom Minute”) and speaker, Nancy has used her comedic touch on stage in places like TEDx and 30 Rock. She served on the 2012 EBWW faculty.
Next week is Erma Bombeck’s birthday. She would be 86 if she were alive today. When I tell folks I write a column, they ask what kind. I say, kinda like Erma Bombeck’s.
This Valentine’s Day I will attempt to pay tribute to the woman whose typewriter ribbon I am not worthy to change, who inadvertently taught me how to write, laugh, parent and appreciate what was most important in life.
If you want a glimpse into the life of an ordinary American housewife in the ’60s and ’70s, crack open one of her many books. She covered it all: the mystery of the lost sock, leftovers, teenagers and growing old. The ’60s were hard times — families were in crisis, and we felt the generation gap. This woman stood in that gap and managed to appreciate the next generation with all their quirks and hang-ups. Our mothers and grandmothers read and related to Erma Bombeck. They appreciated that some woman out there was writing about their own experiences.
Erma was prolific. At its height, her column, “At Wit’s End,” was running three times a week in 900 newspapers around the country. Her column ran from 1965-1996, the year of her premature death. She wrote 15 books, many of them best sellers. She appeared on “Good Morning America” and other television shows.
Her humor is legendary, but many of her columns were poignant. In Motherhood — The Second Oldest Profession, one chapter is titled “Everybody Else’s Mother.” She wrote about that age when your kids compare you to “everybody else’s mother.” Someone is always doing something different (which your kid prefers). But in the end she wrote:
“Everybody else’s mother is very real and for a few years she’s a formidable opponent to mothers everywhere. Then one day she disappears. In her place is 90 pounds (give or take) of rebellion and independence, engaging in verbal combat, saying for themselves what Everybody Else’s Mother used to say for them.”
Unfortunately, I was that kid. I used “everybody else’s parent” all the time. I hope my mom got some comfort from Erma’s words. My kids, not so much. I am a veteran now of “verbal combat.”
Perhaps Erma’s most popular piece flying around the Internet is “If I Had My Life to Live Over.” She did not write it when she was dying of cancer, but rather in 1979. I have come to appreciate this last part of the column:
“But mostly, given another shot at life, I would seize every minute…look at it and really see it… live it…and never give it back. Stop sweating the small stuff. Don’t worry about who doesn’t like you, who has more, or who’s doing what. Instead, let’s cherish the relationships we have with those who DO love us.”
I know I read her columns before I had kids, but it was after I became a mother that I really enjoyed her work. With so many kids literally climbing the walls when I was home, when times were very difficult and I did not think I was going to make it, this small paragraph from the end of her book, At Wit’s End, carried me through. When asked why she wrote this book, she cited many reasons, but credits author Faith Baldwin:
“To be honest, however, I will have to admit that I wrote the book for the original model — the one who was overkidsed, underpatienced, with four years of college and chapped hands all year around. I knew if I didn’t follow Faith’s advice and laugh a little at myself, then I would surely cry.”
These few lines helped me. When I wanted to cry over my circumstances, I picked up her books and laughed. Actually, I laughed and cried at the same time. You see, so many of us who are raising kids or caring for others feel totally overlooked and invisible. Erma, while just talking about her own experiences, shined a light on all of us who take care of others — whether we are moms, dads, caregivers, teachers, etc. She appreciated what she did, and it spilled over to all of us.
Erma once wrote a column about Edith Bunker, the longsuffering wife of that loudmouth Archie from “All My Family.” Erma was sad that there were few Edith Bunkers in the world — few folks who listen, who look you in the eyes, who care about what you are saying instead of thinking of what to say next, someone who really hears. I don’t know if Erma was that much like Edith Bunker. I can’t see her taking too much of Archie’s crap, but I do think she listened and was attentive to what her readers wanted.
Thank you, Erma, for all you did. I agree with your sentiment to your kids in the dedication in Aunt Erma’s Cope Book, “If I blow it raising them…nothing else I do will matter very much.” I think most of us raising kids would agree.
— Donna Fentanes
Blogger Donna Fentanes is a mother of 10 kids living in Pacifica. She mixes humor and philosophical musings with everyday life.
This humorous column by Jerry Zezima originally appeared in the Stamford Advocate on Feb. 1, 2013. Reposted by permission.
I could never see myself in a little French maid’s outfit, except on weekends while doing my household chores, and I don’t suppose I’ll ever wear one because: (a) I probably couldn’t find something like that in my size and (b) I don’t speak French.
But that didn’t stop me from becoming a maid recently when I joined a team from The Maids, a national house cleaning service, and helped clean my own house.
I wasn’t required to wear a little French maid’s outfit — a yellow Maids polo shirt and a pair of khakis composed the official attire — but I did have to work hard to get all the dirt and dust off floors and out of corners so the house would be, as it often isn’t after I am done with my chores, spotless.
I called The Maids because a husband’s work is never done and, in nearly 35 years of marriage, I have improved my vacuuming, scrubbing and dusting skills to the point where I wondered if I were good enough to be a professional.
“We’ll find out,” said Ken Quenstedt, who owns The Maids franchise that serves northwestern Suffolk County, N.Y., where I live.
Ken came over in a yellow Maids car with four team members: Maria, Mayra, Melanie and Ingris. They were soon joined by Jenny, the field supervisor.
My wife, Sue, who keeps a clean house despite my help, served as the domestic supervisor.
“Jerry didn’t know how to work the washing machine until a few years ago,” Sue told Ken. “But he’s a lot better at chores than he used to be.”
“I’m best at ironing,” I bragged, “because I’m a member of the press.”
“Vacuuming is my specialty,” said Ken, like me an empty nester whose wife appreciates his (not always superlative) efforts around the house.
I thought I was pretty good at it, too, but neither Ken nor I had anything on Maria, who had a space-age vacuum cleaner strapped to her back. It looked like a scuba tank, from which extended a hose with an attachment that Maria expertly maneuvered over the carpeting, along the ceiling and around corners.
“May I try it?” I asked Maria, who graciously helped me strap on the vacuum and showed me how to operate it without getting entangled in the cord, which I did anyway.
“You’re doing a good job,” she said.
I did an even better job of dusting after watching Ingris, the team leader, deftly use her dust cloth on the bureaus and nightstands in the master bedroom.
“I usually dust around things,” I confessed.
“You have to move them,” said Ingris, who was impressed when I followed instructions and did the job right.
“Could I be part of the team?” I asked.
“Yes!” she answered.
Jenny was impressed with my toilet-cleaning prowess after showing me how to correctly use a brush in the porcelain convenience.
“Very good,” she declared.
I was flush with excitement. It was my turn to be impressed after watching Melanie scrub down the tile in another bathroom until it was immaculate.
When I noticed that the team members were wearing shoe covers, Mayra explained, “We don’t want to bring dirt into the house.”
“My feet are so big,” I said, “I should wear garbage bags.”
Instead, the foursome used garbage bags for, yes, garbage, which they emptied out of wastebaskets.
After an hour and a half, they were finished.
“The house has never looked so clean!” Sue exclaimed.
I thanked the hardworking crew for a magnificent job and told Ken that they inspired me to be an even better house cleaner.
“Whenever you do chores,” he suggested, “you can wear the yellow shirt.”
“At least,” I said with a sigh of relief, “I won’t have to wear a little French maid’s outfit.”
— Jerry Zezima
Jerry Zezima, who served on the faculty at the 2010 EBWW, writes a humor column for the Stamford Advocate that is nationally syndicated through the McClatchy-Tribune News Service and regularly appears in the Huffington Post. The author of Leave it to Boomer, he has just finished his second book, The Empty Nest Chronicles, slated to be published later this year. He has won four humor-writing awards from the National Society of Newspaper Columnists and was named EBWW’s Humor Writer of the Month in March 2012.
No matter how you spell it, brace yourself for a wild, global online party, what humorist Dave Fox calls “a cool new kind of writing class.”
Here’s how he describes the 100-hour writing festival:
I’m throwing a big-ass party, and you’re invited. And you can attend, no matter where in the world you are. With goose-bumpy excitement, I’m thrilled to announce the “100 Hours of Humo(u)r” online festival!
It’s going to be my most ambitious and ridiculous web event ever. From March 1-5, my goal is to upload new humor-related content to Globejotting.com every hour for a hundred hours.
Some hours, I’ll be blogging “live,” testing my high-speed writing skills with quick comedy blasts. Other hours will feature humor writing mini-lessons to help you become a funnier person. You can put those lessons into action in “flash humor” writing contests; I’ll announce a topic, you’ll have 60 minutes to crank out something funny and send it to me, and the best stories will win prizes. (And, yes, some hours, I’ll be snoring. During those times, pre-written content will upload automatically, so the hourly flood of goofiness will continue all day and night, regardless of your time zone.)
Why all the hoopla? Two reasons: (1) I wanted a reason to use the word, “hoopla.” (2) During the online party, I’ll be kicking off my new and improved series of online writing classes.
I’ve been working feverishly on a more flexible, more affordable format for my humor and travel writing workshops. These information-soaked courses will cost a fraction of what the original workshops cost, and they’ll include new features such as MP3 audio lessons and the “Globejotters’ Lounge,” our online writers’ hangout. If you’re wanting a more intensive workshop with in-depth, professional coaching, you can purchase add-on critique packages for detailed feedback on your work. These reformatted courses will also offer more flexibility for people with busy schedules. The old workshops took place on specific dates. With the new courses, you can start whenever you like, and work at your own pace.
The “100 Hours” party from March 1 to 5 will include a special pre-sale discount for the new humor course (which is scheduled to be ready around March 15, possibly sooner). The travel writing workshop follows in May, and a new “Writers’ Therapy” class, to help you tackle common emotional challenges writers face, is on deck for later this year.
More details are coming very soon on all the cool stuff that’s included with these courses, and how you can get big discounts on the new writing courses during the 100 Hours of Humo(u)r extravaganza. So check back on my Globejotting.com website in a few days and mark your calendar for March 1-5.
The “100 Hours” fest begins at the following times on March 1:
US Pacific: 6 a.m.
US Eastern: 9 a.m.
Ireland and Great Britain: 2 p.m.
Central European Time: 3 p.m.
Singapore / Hong Kong / Perth, Australia: 10 p.m.
Sydney, Australia: 1 a.m. (March 2)
New Zealand: 3 a.m. (March 2)
— Dave Fox
Dave Fox is author of Getting Lost: Mishaps of an Accidental Nomad and Globejotting: How to Write Extraordinary Travel Journals (and still have time to enjoy your trip!), both Amazon bestsellers. He was part of the faculty at the 2012 Erma Bombeck Writers’ Workshop. Sign up for online versions of his fun and popular travel and humor writing classes.
(Gina Barreca’s column appeared in the Hartford Courant Feb. 8. Reposted by permission of the author.)
We all enter this world crying. Laughter is something we have to learn.
We learn to laugh through contact with somebody else who’s doing it, which, unless you’re a twin, is yet another difference from the whole “being born” business.
And although it is possible to laugh alone, like so many other things, it’s a lot more fun to do it with others. I’m thinking, of course, of miniature golf.
My journalist friend Gene Weingarten says, the very moment we learn to laugh depends on having somebody else there. He believes it all comes down to peekaboo. (Yes, like so many other things.)
Weingarten argues that “peekaboo tickles before tickling tickles” and the experience of humor goes back to the moment when a baby watches somebody cover her face with her hands and then yell “peekaboo!” in glee as she removes them. That irrepressible combination of surprise-plus-continuity is at the heart of it, says Weingarten of The Washington Post (I’m referring to peekaboo, not to the paper, you understand).
We adore being a little bit shocked but we also immediately want to see that our shock is just silly. We want to be reminded, by the release of laughter, that what we love has not actually disappeared.
Psychologists refer to this as “object permanence.” Perhaps you’ve referred it to it in less clinical terms if, as I have, you have begun what turned into a marathon session of peekaboo with a tyke who has been affected by too much excitement, sugar or double-espresso shots. Kids will play peekaboo until the cows come home, or until it simply smells as if they did.
Our appetite for that kind of fun dwindles as we grow up. It is replaced by the mind-numbing drudgery of life. After all, there’s kindergarten with its endless crayoning, crayoning and crayoning. And school? With the horror of, well, learning? And sitting? And snacking before learning again? No wonder we lose our mirth.
A sense of humor is not hardwired into our systems once we get past the peekaboo stage; if you’ve ever commuted to work by bus you know this for a fact. But a sense of humor can be developed as can another talent or skill set. Like carrying a tune or picking up the check, however, some people never master the art.
Some folks don’t realize that there is no such thing as an ordinary life.
They believe themselves to have cornered the market on misery, frustration and disappointment. They tell you about their unhappy childhoods and dysfunctional families as if they were the only ones ever to have been ritually humiliated, even before “America’s Funniest Home Videos” went global. They complain about their parents, kids, jobs or neighbors to the point where their tales of woe are, like certain exotic foods, hard to swallow.
But bad times, we must remember, are inevitable: We all face death, we all face suffering, we all face the prospect of another season of “Dance Moms.” You have two alternatives: You can crack up or you can crack a smile.
Unlike bad times, however, good times aren’t bullies who break down the doors and barge in. Joy and pleasure are, instead, excellent guests and, as such, they wait for an invitation. You have to open the door to life’s best moments; you have to invite them in and welcome them when they arrive.
To be honest, I’ve always found that it’s best to make a big fuss when good times appear at the threshold. You want them to feel absolutely at home. You wouldn’t want them to feel that, while you’re happy enough to see them, you were expecting a little more razzle-dazzle. They might not come again. They depend on genuine hospitality. You wouldn’t want them to think they’d arrived too late, or were deemed insignificant, or were weighed and found wanting.
Survival, or making survival worth the bother, depends on seeking joy, uncovering and discovering humor, and, in one of life’s great ironies, carefully nurturing a sense of the absurd.
Remembering to laugh is as essential as learning how to peekaboo in the first place. It can’t make the darkness go away, but it does admit the light.
— Gina Barreca
Gina Barreca, an English professor at the University of Connecticut, feminist scholar and author of eight books, keynoted the 2012 Erma Bombeck Writers’ Workshop.
(Lorraine Holnback Brodek lovingly dedicates her new book, A Nobody in a Somebody World: My Hollywood Life in Beverly Hills, to her dear friend, Erma Bombeck. This is an excerpt from the book’s dedication.)
Humor columnist Erma Bombeck wrote her own obituary on a hot August day in 1977 on the Bright Angel Trail in Grand Canyon. I was with her and her family: husband, Bill; sons, Andy and Matt, and daughter, Betsy. It was all her idea. She had presented the plans for this vacation one evening while we were gathered in their living room.
“Hey, I know the perfect trip for all of us to do together. How about the Grand Canyon!” she said excitedly.
“Hold the phone,” I said. “Is that where you see people screaming for their lives as they bounce down a torrential river and into the rapids and then realize they can’t swim?”
A month later, we drove to the Canyon. All we had to do was hike down the eight-mile Bright Angel Trail to the rafts. Erma’s outfit was electric eclectic, including her shiny new hiking boots.
As we headed down the steep, switchbacks, Erma began limping. “I knew I should have cut my toenails this morning,” she grouched, “the front of these God-forsaken boots have jammed my big toe right up to my left knee!”
The unrelenting Arizona sun was beating down. The 120-degree sand created a burned-rubber smell from our boot soles. The water canteens were with the family jocks who were probably at the rafts by now.
I was 37 and Erma was 50 and suffering from Polycystic Kidney Disease. I knew that water was critical. Not a drop to drink — anywhere!
The next thing we knew, our knees buckled and we hit the sand. Gasping for air, we rolled under a nearby crag from which a scorpion skittered. That’s when Erma mumbled her obit.
“I can see the headlines now…” She rolled her eyes with devilish intent. “Famous Humorist, Newspaper Columnist and TV Celebrity Dies on Trail with Little Unknown Person.”
Then Erma thought she heard angels treading. I said, “All I hear is a clippity-clop.”
And as if on cue, here came the mules!
“You’re the famous columnist, TV star and humorist,” I said. “Stop them!”
Erma rolled out from under the rock and, while flat on her back, yelled up at the old geezer on the lead mule, “Halt! Your money or your salt tablets!”
The crotchety cowboy looked down and grumbled, “I’s sorry ladies, these fleabags have riders waitin’ for ‘em at the river.”
What followed was not pretty. Because Erma was so short, she went eyeball to eyeball with the lead mule. “I know Mr. Ed personally! You’ve heard of the glue factory? Well, I even know Mr. Elmer! Don’t you dare move a hoof until we’re on.”
The wrinkled wrangler relented and helped Erma get her short little legs and tiny shiny boots into the stirrups. Glad to be off our feet and in the saddle, we started humming the Grand Canyon Suite as happiness pervaded the Bright Angel Trail again.
— Lorraine Holnback Brodek
Lorraine Holnback Brodek is the author of A Nobody in a Somebody World: My Hollywood Life in Beverly Hills, a humorous collection of memoir essays, and The Tale of Peeky Peeker, a whimsical Christmas children’s book.
The January/February issue of AAA Journeys magazine traces Dayton’s surprising literary heritage — and points to the University of Dayton’s efforts to keep Erma Bombeck’s legacy alive through a workshop in her name.
“At first blush, the city of Dayton in Ohio’s Miami Valley seems like a typical Midwestern city: friendly, accessible and affordable. So how can such an Orville-normal place produce such genre-busting literary figures as Paul Laurence Dunbar, the first African-American writer and poet to garner national fame, and the nationally syndicated humor columnist and author Erma Bombeck, considered one of America’s first ‘domestic goddesses’ even before comedian and actress Roseanne Barr coined the term?
There is no single explanation, but visitors and aspiring writers may find their own Miami Valley muses by soaking up the history at the Paul Laurence Dunbar State Memorial House, attending the University of Dayton’s biennial Erma Bombeck Writers’ Workshop or just hanging around one of the Midwest’s largest bookstores, Books & Co., where Garrison Keillor likes to sing.”
It’s worth a read. Click here for the full story.
It’s Super Bowl week. Time to start feigning interest in football. It seems no matter how many times my husband and sons have explained the game to me (usually once annually, on Super Bowl Sunday), I just can’t get into it.
I recently realized why: There is basically no tangible relationship between the pigskin and the guy carrying it. Sure there’s motive to bring it to the end zone and score your team a ring. The lure of jewelry, I totally get.
But where’s the back story that draws me in and compels me to keep watching? The witty repartee laced with sexual tension? The protagonist’s inner demons that need to be battled? It coincidentally does not take place in a circa 1960s advertising agency where everyone broods, drinks and wears fabulous clothes. This alone could be a major contributor to the problem.
Yes, I know it’s insane to think the Super Bowl could play like an episode of a TV drama like Mad Men. I mean, hello. …. It’s obviously got much more of a romantic comedy vibe. After all, the agony on the players’ faces must have a cause. Who’s to say it’s not unrequited love? And have you seen what these guys wear and how ridiculous grown men look all piled up on top of one another? Comedic gold.
The viewing experience would be vastly improved by simply illustrating the relationship between man and football. These proposed tweaks would make me actually want to see what happens next during the game…Are you listening, CBS?
Picture this: A quarterback and a football leave college to drive all night, bickering and bantering their way from Chicago to New Yor — er, I mean, New Orleans. The quarterback points out how he and the football can never truly be friends because their underlying attraction for each other will get in the way, a fact that will be driven home when the football fakes an orgasm at a roadside diner near the 50-yard line. The two part ways to head into separate locker rooms, and I’m glued to the edge of my seat because I just know they’re meant to be together.
Close to midnight on Super Bowl Eve, the quarterback finally admits he’s been in love with the football all along. He swoops her up and carries her an unstoppable 90 yards to the end zone, pushing all others out of his way — because when he realized he wanted to spend the rest of his life with her, he wanted the rest of his life to start as soon as possible. The marching band plays “Auld Lang Syne” as they score the winning touchdown together. Afterwards, the quarterback says he’d like a coconut Vince Lombardi Trophy cake, with the chocolate sauce on the side.
All right, I’ll admit part of that just isn’t plausible. I mean, when do marching bands ever play “Auld Lang Syne” during the Super Bowl, right? Maybe Madonna was busy. Work with me here.
How about this? The football and the wide receiver have been fighting their attraction for a long time due to his emotional immaturity. When the quarterback throws the pass, the wide receiver leaps high into the air to catch the football. As the two tumble to the ground together, the football says, “You complete me.” Later, in front of all the cheerleaders, the wide receiver explains the football simply had him at “hello.”
C’mon, that could be the first Super Bowl in history where you’d need tissues. Hear that, Kleenex? Potential sponsor opportunities! You’re welcome.
Still not convinced of the Super Bowl’s romantic comedy potential?
Okay, final suggestion: A linebacker feels hurt and abandoned by his beloved football. Enraged, he charges the other team, being careful to avoid the quicksand, fire swamp and Rodents of Unusual Size (R.O.U.S.). He tackles the six-fingered quarterback, and as the football rolls down the synthetic turf, the linebacker hears her cry out “….as…you…wish….” The linebacker realizes the football never really stopped loving him and had merely been forced to play a scrimmage with the Dread Pirate Roberts.
Tell me you wouldn’t turn in for such blockbuster Super Bowl plots as these proven winners. I can’t believe Hollywood has yet to call upon me for my screenwriting skills.
But something tells me the networks won’t go for it. I’ve heard those R.O.U.S. are ruthless when it comes to salary negotiations, and the Super Bowl is certainly no place to throw billions of dollars around.
Guess I’ll just have to resign myself that the only declaration of undying love during this Super Bowl Sunday is going to be mine — for the nacho platter.
Actual Length of Super Bowl: 4 hours…give or take eleventy-billion hours of pre/post-game commentary
Real Feel: 36 hours
Real Feel If Super Bowl Were a Romantic Comedy: 30 minutes, tops
Chance They Will Change It into a Romantic Comedy: There’s always 2014
HOW ABOUT YOU? Which do you prefer? The Super Bowl or a romantic comedy?
— Christie Storms
Christie Storms has written stories since she was old enough to use a stapler. While she did not write with said stapler, it was vital in binding pages together to begin presenting her parents with a multitude of unsolicited manuscripts. Professionally, Christie has written numerous articles for local publications over the past decade and additionally blogs material she has been told is humorous by somewhere between 3 and 3,000,000 people.