The vast majority of writers who attended the 2016 Erma Bombeck Writers’ Workshop are raving about it.
Attendees particularly loved the way writer and comic Leighann Lord “rocked the house” in her closing-night keynote talk. Her humorous, inspirational speech garnered the highest rating for any keynote speaker since the workshop organizers began surveying attendees in 2008. Several offered to rate her “11” or “12” on the 10-point survey scale.
“Leighann Lord was flawless in conveying wit, universal resonance, laughter, profound insight, in short, the spirit of Erma. I didn’t want her talk to end. She is the epitome of grace and a wicked sense of humor,” wrote one attendee.
“Hilarious yet inspirational. A beautifully crafted speech that, amid all the laughs, brought it home at the end to the theme of passion for writing,” another observed. She “knocked it out of the park. So connected to the audience, so in the moment, so authentic,” another attendee wrote.
A record 231 attendees — 66 percent — completed an online survey that rated the workshop. The overall workshop, its cost vs. value, and the networking opportunities all received scores of 9 (out of 10).
A new record: 80 percent said the knowledge and connections they gained at the workshop will cover the full cost of attending or far more than cover the cost of attending.
Half said they would definitely attend again. In all, 86 percent indicated they would definitely come back or highly consider it — another record. The opportunity to network (with other attendees and speakers) also received the highest marks in workshop history.
Approximately 350 writers from all parts of the country converged at the University of Dayton, Bombeck’s alma mater, for the March 31-April 2 biennial workshop that’s become so popular that it sold out in less than six hours. It’s here that Erma first heard the words, “You can write!” from an English professor.
The workshop’s emcee, Barbara Chisholm’s performance of Erma Bombeck: At Wit’s End, the inspirational tone of Kathy Kinney and Cindy Ratzlaff’s talk, the quality of the faculty, stand-up comedy night, speed dating for writers and Pitchapalooza all received high marks. Attendees also enjoyed keynoter Amy Ephron’s pitch-perfect reading of one of her essays — and the presence of three former keynoters, Alan Zweibel, Judy Carter and Gina Barreca, on the workshop’s talent-laden faculty.
“Patricia Wynn Brown is the perfect, gracious, funny and friendly emcee,” one attendee wrote. “She infused every emcee gig with joy and enthusiasm,” observed another.
Pitchapalooza, billed as the American Idol for books, only kinder and gentler, “was so entertaining and informative that it could honestly be a reality TV show,” another attendee wrote. “The critiques were clearly given from a loving, respectful, supportive place. I think everyone in the room won.”
A number of attendees said the one-woman show based on Erma’s life and writings surpassed their expectations. “It was top notch, memorable, and there was barely a dry eye in the house,” one commented.
The chemistry between writing partners/lifelong friends Kinney and Ratzlaff touched attendees during their uplifting keynote talk. “These women blew the doors off as far as I’m concerned. Motivating, inspiring, funny, and honest with a REAL message,” one wrote.
The attendee stand-up comedy night ended the workshop with howls of laughter. “Wendy Liebman is a total gem and the attendee comics were great. Supportive crowd, great leader, perfect way to end the conference,” said one attendee.
Other highlights among hundreds of write-in responses include:
• I’m not sure how the staff can top #2016EBWW. It was stellar in every way. Workshops were on trend and helpful for all levels of creative people from novices to professionals. The faculty was incredible.
• I KNOW that Erma is so proud and so honored. This is the best gift that I have ever given myself, life changing!
• An unbelievable experience. The EBWW is unique among all conferences in its ability to foster a culture of support and collaboration, rather than competition, among the writers who attend it and become part of its community. …The EBWW feels less like attending a conference, and more like visiting family.
• Thanks for being the kindle for my spark. xoxoxo
• I love this workshop. Love, love, love. The content was great this year. Please keep offering sessions that focus on craft!
• I’m so glad I came and will stand in line to be sure to get into the next one! The mixture of topics and approaches in the sessions offered seems just right. The spirit of Erma Bombeck is wonderful and the family atmosphere is charming.
• The truth is you can’t put a value on the conference — the cost is one thing, but the connections, information and education I received are invaluable.
• My favorite writers’ workshop, bar none.
• The welcoming warmth of this workshop far exceeds any I have ever attended.
• I thought this was a remarkably well-organized and content-packed conference. The depth of expertise in the workshops was outstanding; people you might expect to be keynoters were workshop presenters. That’s really unusual.
• The spirit of the workshop seems to really carry the spirit of Erma throughout. It’s genuine. It is not contrived.
Writers offered us constructive criticism, too. Attendees continue to want a greater focus on the craft of writing. Several suggested better organized breakfast roundtables, larger rooms for the sessions and healthier snacks (but “keep the lemon cake” at dinner).
The best recommendation: “A marching band to play “Our Love is Here to Stay” in 2018 and the Stones in 2020, although I’d trade them both for Billy Joel :).”
In addition to survey responses, nearly 60 writers tapped out literally thousands of words to capture their experience at the 2016 Erma Bombeck Writers’ Workshop. For links to their newspaper and online stories, blogs and podcasts, click here.
Audio recordings of the individual sessions or the complete workshop can be ordered here.
The next Erma Bombeck Writers’ Workshop will be held April 5-7, 2018. To keep in touch, like our Facebook page, follow us on Twitter and subscribe to our free monthly e-newsletter. To subscribe, visit our blog.
— Teri Rizvi
Teri Rizvi is the founder of the Erma Bombeck Writers’ Workshop and executive director of strategic communications at the University of Dayton.
Four kids, three houses, eight cars and three colleges ago, I was a waitress at Denny’s. Many a Grand Slam breakfasts and chicken fried steak paid for community college. Whenever a posse of older women came, the wait staff would immediately hide in the kitchen, no one wanting that table.
Chimes of “not me, not me, not me” rang out like seagulls finding fries at the beach, and with good reason.
What pains in the as**! Dressing on the side, skim milk for coffee, lo-cal syrup, hold the mayo, extra mayo, no salt, eggs hard, fork is dirty, no ice please, decaf tea, substitutions galore, then separate checks and crappy tips.
I’m still traumatized some 35 years later.
So why then do I flock to a writing conference in Dayton, Ohio, a mecca of sorts of middle-aged (being generous here) women (and nine men) to pay homage and learn by sheer osmosis the writing and wit of Erma Bombeck.
Here gather 350 women (and nine men), the VAST majority between the ages of 45-105 (except for the room crashed at 2 a.m, where four politically savvy, very smart, very drunk young women discussed writing, friendship, politics, parenting and marriage — an anomaly of demographics to be sure, but one I welcomed and not just because of the late-night pizza and free booze).
The Erma Bombeck Writers Workshop is every two years, and frankly, it’s not enough. Last time, I spent the vast majority of the conference between workshops, alone in a bathroom stall, pity party of one. I was in a dark place and looking for some light. And laughter. (You can read about that here.)
This year, I was on stage doing stand-up. Four minutes of hell that I will remember forever. From the bathroom stall to center stage, and it’s all thanks to the writers who flock to Dayton.
They, these 350 women (and nine men) who are all in some version of the same boat, want you to succeed. There is room for us all. I flee self-help, inspirational live-your-own-life spiritual bliss bullsh**. I despise it, and yet, that is exactly what I find here.
Like a spoon full of sugar, or a shot of tequila, I go for the workshops, the how-to craft, the social media tips, the networking and face-to-face opportunity that doesn’t happen on Facebook, or at larger conferences with bigger egos.
And yet, through the workshops, I find inspiration. Peace. Excitement. Energy. Encouragement. Talent. It all happens here.
• Is what you write a window or a mirror? If a mirror, it only applies to you and has limited audience. If a window, it offers a wider, universal story others can participate with.
• There’s a fine line where your story ends and someone else’s begins.
• Get it on the page. Even if it is crap.
• Anytime you sit down to write your story, you have something unique to bring to the page.
• Be real. Share moments of emotional generosity.
• About Gilda Radner, Bunny, Bunny: “I wanted our words to touch each other again.”
• The jokes will come, but writing the truth must come first.
• There’s no secret to writing comedy. The secret is writing. The jokes will come.
• Do the work.
• The best writing touches the soul.
• You won’t suck. I won’t let that happen. Breathe.
• Control what you can: the jokes, the writing. Delivery. Your health and stamina. Ignore what you can’t control.
• Act as if it’s a great audience. Every single time.
• Surround yourself with positive people.
• You never know who you’re gonna meet who will give you a leg up.
• You don’t have to be 21 to have your whole life ahead of you. But it helps.
• Find a friend who doesn’t have an agenda.
• Suck up to others. Really. Do it.
• Get your foot in the door by finding your niche.
• Stand up is for alternative thinkers.
• If you have something to say, get out and say it.
• If you don’t ask, you don’t get. No one is sitting around thinking about you.
• If the word ‘no’ frightened you, you wouldn’t be sitting here.
• Opportunity comes through friendships.
• Pursuing your passion is the gift you give other people.
•Surround yourself with people who believe in you.
• You’re funny. Really funny. (To me. To my face, in the lobby)
• Your personal brand is a story you write about you.
• Leave digital breadcrumbs everywhere.
• Fan base believes they know us. Interact and build the relationship. Don’t let a share or comment go unnoticed.
• Readers read. Writers read. Colleagues are part of your tribe. Be a steward of that tribe. Share.
• Engage wherever fans want to play. Go there.
• Narrator is a hero if things don’t happen to them.
• Epiphany is the pay-off: when it stops being about you and starts being about the reader.
• You can’t go back and un-have an epiphany.
• Don’t be safe. If you’re being safe, you’re probably talking about other people.
It was like this for two days and two nights. I stole a little extra time from Leighann Lord because I mooched a ride to the airport with her, completely blurring the lines between “talent” and “attendee.” Because that’s how this workshop rolls.
Eat dinner with a bunch of strangers, and learn about publications, editors, tips and leads. And second chances, career fails, good bras, in sickness and in health, menopause, tequila, online dating, great moisturizer, trolls, dark clouds and bright skies.
This workshop has something for everyone, regardless where you fall on the bell curve of writing. From polished, published professionals marketing a script, screenplay, or manuscript to a hospice nurse who always wanted to write, to an investment banker who thinks she might be funny — we all attend the same classes, taking what we need for this time in our life, and walk out lighter, braver and bolder.
The workshop also included a performance of the one-woman show, At Wit’s End starring Broadway and movie star Barbara Chisholm, and I sat near the back so I could sneak out if it sucked.
IT DID NOT. I was spellbound. Erma resonated because the tiny moments of the mundane had a far-reaching audience. Still. Her observations of parenting and housework had huge implications for the Equal Rights Amendment then. And now. Because there’s still work to do.
As Nancy Berk said during the all-woman in comedy panel: “Ageism is real, but here’s the thing: we are the lump in the demographic bubble. We are the majority. We sell out venues because they don’t see us on television.”
Thanks to the Erma Bombeck Writers’ Workshop and the 350 women (and nine men), I for one will not forget the power of the pen, and our responsibility to use it wisely. With poise and humor, I can do both. Be funny and serious. Humor and activism. Doesn’t have to be all or nothing, and I hope the writers who experienced what I experience are tasked with continuing important conversations that may, in fact, inspire others to do the same to make the world a better place. One essay at a time.
— Kate Mayer
Kate Mayer is a potty-mouthed, somewhat irreverent storyteller, humorist and activist sharing life as she lives it in Newtown, Connecticut. She writes with humor, wit and a great amount of levity about parenting, teenage angst, aging parents, midlife, social issues and, sigh, gun- violence prevention. Her essays have appeared in Cosmopolitan, Good Housekeeping, Erma Bombeck Writers’ Workshop, BluntMoms, Scary Mommy, BlogHer, The Mid, The Good Men Project, Midlife Boulevard, much in thanks to EBWW. She is a very proud Listen To Your Mother NYC 2012 alum. She blogs at http://www.kathrynmayer.com and is occasionally funny on Instagram and Twitter as @klmcopy. If you play well with others, find her on Facebook.
Virginia author Kimberly “Kimba” Dalferes says you can quote her on this: “Finding your tribe is life-affirming and feeds your soul.”
Dalferes describes the 2016 Erma Bombeck Writers’ Workshop in this way: “What happens when 350 people, predominantly women, truck in from all across the U.S. to spend three full days laughing (and a little crying), eating (mostly desserts) and baring their souls to each other? Magic. In a place called Dayton. That’s not a punchline.”
Humorist Wanda Argersinger blogs, “I have never attended any other conference where the attitude of the attendees actually infiltrates the air. You walk and breathe support, love, hope, admiration, curiosity and absolute acceptance of who you are. ‘These are my people,’ could be heard over and over again. ‘This is where I was meant to be.’”
From storyteller Kathryn Mayer, who “found her funny” at the 2014 EBWW and returned a renewed writer: “I find inspiration. Peace. Excitement. Energy. Encouragement. Talent. It all happens here.”
In all, nearly 60 writers tapped out literally thousands of words to capture three laugh-filled days of learning and networking at the University of Dayton, Erma’s alma mater. These include essays from Lori Mansell, a long-retired school teacher who discovered it’s never too late to write, a couple of University of Dayton students, journalists, authors, magazine writers and bloggers.
A special highlight: Keynoters Kathy Kinney and Cindy Ratzlaff are producing five video features of stories from their sprint writing workshop that encouraged writers to find their voices.
Here are links to newspaper and online stories, blogs and podcasts:
Amy Abbott: Afterglow
Amy Abbott: Erma Bombeck’s Forever Legacy
Wanda M. Argersinger: A Legacy Like No Other
Anne Bardsley: Erma Summer Camp
Jennifer Belden: How Erma Helped Me Reclaim My Focus and Boot Dolores
Nancy Berk: Showbiz Analysis: Legendary Author Roy Blount Jr. Talks Creativity, Satire and Pie on Parade.com. Listen to podcast here.
Nancy Berk: Showbiz Analysis: The Drew Carey Show‘s Mimi Elevates Kathy Kinney to Queen of Her Own Life on Parade.com. Listen to podcast here.
Betsy Bitner: Together in a Spirit of Humor, Times Union in Albany, N.Y.
Valentine Brkich: Let the Sessions Begin!
Valentine Brkich: Welcome to No Man’s Land
Patricia Wynn Brown: Ride ‘em, cowgirl
Helen Chibnik: Secret Passion (illustrated and recorded by Kathy Kinney and Cindy Ratzlaff)
Michelle Poston Combs: Like a Greased Watermelon
Michelle Poston Combs: Standing Up at Erma Bombeck 2016
Kimberly “Kimba” Dalferes: Can I Quote You on That?
Julie Danis: The Olga Stores: The Best Seamstress of Section A of the Block Association of EastWest Warsaw (illustrated and recorded by Kathy Kinney and Cindy Ratzlaff)
Lexie Digby: Erma’s Essence
Lori B. Duff: Men, Women, and the Equality of Functional Pockets
Amy Eddings: She Who Laughs, Lives More Fully
Christy Heitger-Ewing: Muted Joy: Learning to Live, Love and Laugh Again, Huffington Post
Bonnie Jean Feldkamp: MomWriter, Cincinnati Family Magazine
Sharon Tjaden-Glass: Walking Through the Fear
Rachel Grise: Erma Bombeck and the Marriott of Despair
Stacey Gustafson: Got My Funny Back at Erma Bombeck Writers’ Workshop 2016
Stacey Gustafson: Quotable Quotes, featuring Alan Zweibel, Cathryn Michon, Joel Madison, Wendy Liebman, Leighann Lord, Kathy Kinney, Judy Carter and Jenny Lawson
Katie Hamlin: Ermafied
Lori Herlihy: Emulating Erma
Mary Hirsch: Life Without a Name Tag
Hillary Ibarra: Erma Bombeck Writers’ Workshop
Natalie Kirland: Erma Bombeck Spirit Still Alive Through Writers’ Workshop
Myron Kukla: Strange But True Tale
Kate Mahar: A Little Something About My Day Job
Lori Mansell: Queen for a Day
Lisa Marlin: Yes, Mr. Dickens, It Was the Best
Kathryn Mayer: Bathroom Stall to Center Stage: A Writer Finds Her Groove
Mary McCarty: Lesson from Bombeck Workshop: It’s Never Too Late, Dayton Daily News
Kelly McKenzie: If Only I Had the Chance to Meet Erma
Julie Osborne: From Virgin to Queen
Gianetta Palmer: An Ode to the EBWW…2016 Version
Lisa R. Petty: Hermit at the Erma Bombeck Writers’ Workshop
Susan Pohlman: When Erma Calls
Yvonne Ransel: My Happy Place
Teri Rizvi: Brigadoon for Writers
Julia Roberts: Great Advice From the Erma Bombeck Writers’ Workshop
Julia Roberts: The Erma Gap
Anne Saker: Erma Bombeck Lives on in Admiring Writers, Cincinnati Enquirer
Sheri Saretsky: Mother…Wife…Boss…But Writer?
Sharon Short: Authors to Offer Free Events Tied to Writers’ Workshop, interview with Roy Blount Jr. and Gina Barreca, Dayton Daily News
Pam Sievers: When the Only Thing Left to Do is Write
Suzette Standring: Women: Stop Apologizing As a Preface to Comments, Huffington Post
Molly Stevens: Who Was Erma Bombeck and Why Does She Still Matter?, (Maine) Bangor Daily News
Becky Sydeski: 13 Things to Remember for the Erma Bombeck 2018 Conference
Janine Talbot: EBWW — A Cast of Characters
Janine Talbot: Can Great Minds Who Think Alike Survive Collaboration?
Annette Januzzi Wick: Erma Made Me Miss My Mom
Leah Vidal: Finding Human Interest in the Funny
Jan Wilberg: Three Days with a Name Tag
— Teri Rizvi
Teri Rizvi is the founder of the Erma Bombeck Writers’ Worshop at the University of Dayton, where she serves as executive director of strategic communications.
(Editor’s Note: Author and blogger Stacey Gustafson offers quotable quotes from the 2016 Erma Bombeck Writers’ Workshop.)
• “A lot of comedy comes from the same place pain comes from.”
• “Fun doesn’t happen until it’s ready to be seen by others.”
• “Once you write something, it’s in the hands of a different god.”
• His comment to Roger Ebert after his terrible review of North, “Roger, I just have to tell you that I hate, hate, hate, hate, hate, hate your sweater.”
• “What I remember (about North) is the process, how I felt doing it.”
• “It’s important the we (writers) all get together.”
• “Success is a different animal. The victory is important.”
• “It’s important to get together with writers and share experiences.”
• “I love short stories.”
• “Adrenaline kicks in for deadlines.”
• “Our people are just a hashtag away.”
• “Women don’t always feel comfortable about their bodies.”
• “If you have an idea people really want to talk about, you have the power.”
• “What does an independent book store need? Loyalty.”
• “The way you make impossible stuff happen, like books, blogs, is your core belief that this is something that needs to be out there.”
• “I spend everyday not to be an insecure person…I’m passionate about that.”
• “Creating the work is the most important thing.”
• “Making short video content to support longer projects is a good idea.”
• “We have the power to capture moments now.”
• “Grow your audience by listening and responding.”
• “The goal is trying to be the most authentic.”
• “In the niches are the riches.”
• “The writers’ room is like a high school locker room.”
• “Comedy is aggressive. It doesn’t attract women.”
• “Sarcasm doesn’t read. It only works orally.”
• “Every line must serve story, character.”
• “Took me 10 years to get comfortable on stage.”
• “You only have control over you.”
• “Write everything down; write every day.”
• “Perform as much as humanly possible.”
• “You need an audience. They help you shape yourself.”
• “Get on stage as much as possible. Try a new joke each time.”
• “Make it known that you want to perform.”
• “Surround yourself with people who believe in your talent.”
• “Networking is critical. Talk to other comedians. Be ready for those opportunities.”
• “Generate content everyday. Twitter, Instagram…”
• “Prepare to be flexible.”
• “What if I forget (my lines)? Acknowledge it. Trust yourself. Your brain is going to give you something.”
• “Make your own opportunities. Improv skills will help you in every area of your life.”
• “Find your voice.”
• “Even your own family likes you better when you’re on TV.”
• “Say yes to everything.”
• “Suck up. Find someone with a similar audience.”
• “Do material based on an audience.”
• “Be able to have a group that can relate to you.”
• “Form a relationship with your fan base.”
• “Stand-up is not about being perfect. You must be present. Let the audience in. Audience wants to see you be present.”
• “Worst criticism is inside your own head.”
• “Awkwardness brings us all together.”
• “Success looks different to every single person.”
• “I must be the biggest butt of the joke (in my stories).”
— Stacey Gustafson
Stacey Gustafson is an Amazon bestselling author, humor columnist and blogger who has experienced the horrors of being trapped inside a pair of SPANX. Her book, Are You Kidding Me? My Life With an Extremely Loud Family, Bathroom Calamities, and Crazy Relatives ranked #1 Amazon Best Seller in Parenting & Family Humor and Motherhood. Her short stories have appeared in Chicken Soup for the Soul and seven books in the Not Your Mother’s Book series. Her work appears in Midlife Boulevard, Erma Bombeck Writers’ Workshop and Better After 50. She was named EBWW’s Humor Writer of the Month. Enjoy her blog, Are You Kidding Me? at StaceyGustafson.com or follow on Twitter @RUKiddingStacey.
(Editor’s Note: At the 2016 EBWW emcee Patricia Wynn Brown regaled the audience with some amusing stories attendees shared about how they registered within the first six hours before the workshop sold out. For more registration sagas, click here.)
Some of you went to extreme measures to be able to get your registration in under the wire to be here.
We appreciate your zeal, valor, creativity — and the fallout within some of your families because of your single-minded determined focus to be here today.
Gianetta Palmer had no power, no Internet and no front door most of the day. She had to outsource the registration process to someone else.
Janet Sheppard Kelleher was out hunting and had to leave her tree stand for lack of Internet service in the South Carolina Low Country and high tale it to a restaurant with WiFi. Didn’t we all? (We’re sorry that Janet’s surgery prevented her from joining us.)
Jane C. Rosen’s aging dogs are still mad at her for speedwalking them in the morning so she could register West coast time.
Samara Rose traded her firstborn child for a registration.
Anne Parris scheduled having her dog fixed around her need to get in right away on the conference site to register.
Janie Emaus nearly bit her dear old mother’s head off when mother dared to call her at registration time…merely to say hello.
The best: Stacey Hatton registered for the conference while in stirrups — for her annual pap exam. I say, Ride ’em, cowgirl.
We thank all of you for your heroic efforts in being part of our magnificent group of people this weekend.
— Patricia Wynn Brown
Patricia Wynn Brown is a performer, producer and author of two books, Hair-A-Baloo: The Revealing Comedy and Tragedy on Top of Your Head and Momma Culpa: One Mother Comes Clean and Makes her Maternal Confession. She has performed her humor-memoir Hair Theater® shows across the U.S. She is a featured humorist in a PBS documentary, A Legacy of Laughter, about the life and work of Erma Bombeck. She also is a three-time winner of the James Thurber Summer Writing Contest. She served as emcee at the Erma Bombeck Writers’ Workshop in 2012, 2014 and 2016.
Grays and strays — just another dandy way that menopause shares its, dare I say, hair-raising, life-altering change.
About three years ago, I colored my hair for the last time. The gray was in for the win, and my scalp became irritated from the dye. My last, paid-for hair hurrah were highlights and low-lights, which camouflaged the incoming gray. Midlife was sucking the life right out of my melanin production, creating a source of natural color streaks. Albeit gray in color, the strands contrasted with my brunette beginnings, thus giving me, um, a new type of highlights.
My trusted hair stylist loved the look and told me to embrace it. Now, when you put your mane in the hands of someone you trust, it’s all good. Bless his heart, I thought, he was just trying to be kind.
So I questioned his sanity.
“Are you joking? You really just said, ‘Embrace it.’ Like, don’t color it or fight it, right?” I released an evil laugh.
He wasn’t joking.
I wasn’t convinced I could embrace the grays, but I didn’t want to erupt in hives. So, on his wise counsel, I ditched the dye.
The next bit of advice he gave me was a huge adjustment, too.
“Your hair texture is changing, so don’t shampoo every day.”
What??? He’s now a comedian? Again I asked, “Are you joking?”
Trying not to question his sanity, I had flashbacks to greasy hair during my junior high days. Back then, when the hormones were going crazy, I had more oil oozing from my scalp than a rig in the ocean. Heck, I even used grease-fighting dish washing liquid on my limp locks.
Panic-stricken, I wondered how I could not shampoo daily, especially since the hormones are again going crazy. Hot flash anyone?
Totally not on board with this, especially since gray, flat, greasy locks are not confidence boosting, I begrudgingly listened to my stylist, and every other day became “No Shampoo Day.”
Well, it took a few weeks for my scalp to adjust, and then I started to embrace this new way of life. I had to admit, my hair was healthier looking, plus I had extra time every other morning, so I was able to increase my exercise routine. Win.
The alternate scrub day also reduced the cost of shampoo and hair products, another win. And the extra time afforded me an opportunity to really inspect the lines on my face and notice other changes in my new appearance. Like more hair.
Healthy, strong hair.
Lots of hair.
Hair that isn’t on my head. Well, technically, it is on my head. Just not where I want it. Oh yippee — hair started sprouting on my face.
Glimpses of the bearded woman from the circus stared back at me in the mirror.
I had heard of women developing whiskers during “The Change,” but of course, I was immune. My body would never humiliate me that way.
Not only do these suckers appear faster than a dandelion in April, they are just as difficult to control.
To add insult to injury, they act like weeds, too. Pluck a wiry beast from the chin, and two days later, wham, it pops up again. Under your nose. As in, a mustache.
Now I wonder if I should pluck or shave. So much for the extra time I had gained by not shampooing…
All the money saved in hair products is now spent on magnifying mirrors and wax. And trust me when I say that beauty hurts — waxing the ‘stache is a rip-roaring blast. (Note: Never wax and plan to go anywhere but home afterwards. You’ll thank me.)
As I left the salon, I told my stylist he was brutal.
“My lip! I came in to look beautiful and it looks like you punched me!” I cried. I even paid and tipped him — what is wrong with this picture?
“Awww, the redness and puffiness will go away,” he consoled, while offering me some salve to put on my sore yet baby-bottom-smooth upper lip.
“At least now you can’t run away and join the circus.” No, he didn’t say that, but I think we both thought that. Okay, I thought that.
Blinking away the sting of the tears, I booked my next torture beauty session. I will win the battle of the grays and strays because the circus is just not an option. Yet.
— Lynne Cobb
Lynne Cobb is a metro Detroit freelance writer, with articles, essays and blog posts featured in major and local dailies; national and niche magazines, and various Websites, such as Erma Bombeck Writers’ Workshop and Midlife Boulevard. Recently, a blog post was published in the popular anthology Feisty after 45 – The Best Blogs from Midlife Women. Keep up with Lynne and her “Midlife Random Ramblings” at lynnecobb.com.
A long flight is like a prison sentence. The food is terrible; they won’t let you exercise much; and even if your cellmates seem nice, you just wish they would leave you alone. You want to make a run for it, but you’ve heard nobody gets very far.
I have many flying issues, not the least of which is that when I’m traveling, it is psychologically impossible for me to use the restroom in a meaningful way. Never mind the minuscule lavatory on the plane with its creepy loiterers and a commode that sounds like it’s going to suck you into another dimension. No, even in an airport bathroom, if I think even one person knows what I am doing in that stall, I cannot do what I must.
Sure, I know it’s purely strangers coming and going, but there could be that one lady in the corner freshening makeup and communing with her cell phone. As I exit she’ll slip me a sinister note: I know what you did in the last 10 minutes. Then on a connecting flight hundreds of miles later I’ll get to my assigned seat only to find a picture of a potty taped to the snack tray.
Because of these hang-ups, I sit on the plane squirming in increasing discomfort, fully aware that if I release the gas torturing my belly and preventing me from crossing my legs, my fellow passengers will be horrified as I become airborne in a whole new way. You know the situation is bad when as the plane lurches during extreme turbulence, all you can think is: I hope I get the chance to use the restroom before I die.
On this last trip to the Erma Bombeck Writers’ Workshop, I had to fly on a tiny aircraft, the kind assigned to passengers going to boring places — mostly in the Midwest. The flight attendant referred to the pilots as a captain and his first officer, and I couldn’t help but be skeptical and afraid, because neither one looked like he was quite 18 years old. I could just picture the airline executives saying to these lads, “Well, you really do need some flying experience in case you have to transport passengers somewhere other than Ohio, so here’s a plane that holds about 50 people. Now get up there, you young devils, and have some fun! But not too much…these people don’t like excitement!”
My fear of flying is always exacerbated on the descent. I can feel the plane losing altitude by degrees, and I am always suspicious. Are we supposed to be doing that now? It seems too soon. Why isn’t the captain saying anything? Does he know we’re about to nosedive? Does he want to keep us oblivious, enjoying our last few moments? I don’t see any buildings out the window. We’re going to die!
Of course, the captain does eventually come on to say we’ve started our descent into some city or other, and I breathe a sigh of relief even as I resentfully think, Well, why didn’t he say so?
For me the descent also causes nausea akin to morning sickness. I sit pale-faced and erect, trying not to look toward the ground. My queasiness simultaneously reminds me of car sickness as a child when I had to puke into my mom’s purse and the time I threw up a sausage and egg biscuit while flying during my first pregnancy. I have to chant to myself repeatedly, “Do not think about what you ate for lunch! Do not think about what you ate for lunch!” Which means, of course, that I think about what I ate for lunch down to the last limp fry and sesame seed in disgusting detail.
When we finally hit the ground, I am desperate to get that first whiff of non-recycled air as we taxi like a snail to our gate and then wait 10 feet away from it for at least a half hour before the ground crew waves us in.
I then watch my fellow prisoners being released row by row and wonder if my time will ever come. Miracle of miracles, it does, and as soon as I complete my drunken stagger down the gangway to freedom, I make a beeline for the fast food.
Brutal experience has taught me that nothing quite builds an appetite for greasy food like constipation, imprisonment and fear of death.
— Hillary Ibarra
Hillary Ibarra has had several humor pieces published on Aiming Low and humorwriters.org and was recently published at Hahas for Hoohas. She is a mother of four who dreams of playing the banjo, living in Jane Austen’s childhood home and writing for more than spam artists and 50 loyal readers but can’t seem to find them in the laundry. She is the mysterious blogger at No Pens, Pencils, Knives or Scissors. In her spare time she likes to threaten to sell her children to the zoo, and their little dog, too.
Words have no meaning.
Take these, for example.
By reading them you’ve gained nothing.
You want value from words. You want to be enriched. You don’t want people wasting your time. If this goes on for one more paragraph, you will stop reading.
There are words I’ve heard my whole life that have no meaning for me. They don’t resonate. They just irk.
I don’t know what they mean and don’t intend to find out. Hearing them makes me feel unerudite, which may or may not be a word and I won’t check because I don’t feel like it. These meaningless works give me inferior feelings compared with those who say them to me.
The one that vexes me most often is “vis a vis.” Perturbed by its sound, spelling and ostentatiousness, I refuse to look up what vis a vis means. It may be something benign and simple, but it may also be something important and full of richness. Probably it’s pretty meaningless.
Finding out isn’t in me.
Vis a vis sounds sort of French or Italian; definitely it’s not Russian or Portuguese. Few non-English words get used as often as vis a vis in English conversation. Often high-browed English professionals say this along with some pretentious business professionals climbing the social ladder. There are many others.
The only French word I can think of that is easy to remember, besides of course la bibliotheque (means library), is déjà vu. Understanding romance, I know the meaning of that one so it doesn’t bother me the way vis a vis does. A beautiful maroon-haired woman taught me French for three years in high school so I studied the language in order to impress her.
When someone says vis a vis, my first thought is they’re trying to sound smart. This violates my belief that in speaking and writing it’s more essential to be clear than to sound smart.
Being lucid requires more careful critical thinking than confusing people with French or Italian phrases that most people have to stop to think of what you mean, and often don’t now. Use that word and they are bound to think you’re a jerk or pretentious or both for making them feel less erudite than you.
Maybe vis a vis is Latin. Never took Latin. For that we should all be grateful and less agitated. Writers don’t need to know the ancient roots of words. Dictionary.com covers that.
Whatever vis a vis means I doth not care nor shalt thou. I’ll never use it in my writing or speaking unless intending to be obtuse, which is borderline repellant. And the next time I hear someone say vis a vis in my presence I will imagine a rainy night in a dark tunnel where I want that person to go for a while.
Maybe vis a vis should be italicized for being a foreign word. But it won’t happen here. This is about spite and retribution sprinkled with paranoia and insecurity.
Another word that lacks meaning is incredulity. So many people have used this in my presence over the years that I have had to look it up to rise to the lofty heights I have professionally and socially. Incredulity means something like disbelieving or doubting. But anyone who uses it sounds so pompous and eager to sound intelligent that it makes me think of how life was better in third grade before people used big words.
Back then none of us knew big words nor cared about them. Things were more settled and lunch time less hectic. The word “thing” was cool to say. Deciding we needed to be more precise in our use of language, adults struck it from writing and speaking.
Things changed and got harder.
When someone uses the word incredulity, I am forced — by them — to think for a few seconds before I can understand what they meant. Dissection doesn’t spawn anything except frustration. Their point remains fuzzy even if I look it up and saw the person’s whole sentence on a piece of paper. They say something like “His incredulity is making me incredulous about him.”
This is either a double entendre — another pretentious word for which I do know the meaning (ha ha) — or word play, lazy writing or obfuscation.
This nettlesome situation makes me incredulous about anyone who says “incredulity” — more than their use of the word. I don’t credule them.
The third word that doesn’t mean anything — and comes up too often — is phantasmagoria. At least twice a day someone says this six-syllable word to me.
Whatever phantasmagoria is, or wherever it is, or whenever it is, I don’t want to find out vis a vis anyone.
— Sammy Sportface
Sammy Sportface is possibly America’s best blogger. He is only mildly interested in the truth. To read his new book, Wipe That Smile Off Sammy Sportface, go to Amazon.com.